I’m quite new to playing guitar, but I really want to make my guitar sound at least quite similar to the sound in Highway Star. RITCHIE BLACKMORE GUITAR RIG 5 TUTORIAL > READ ONLINE
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For any guitarist looking to tap into the hidden potential of their amplifiers, guitars, and pedals, the EQ2 could well be a revelation.RITCHIE BLACKMORE GUITAR RIG 5 TUTORIAL > DOWNLOAD NOW And the roster of bonus features for deep divers is head spinning. The basic tweaking and preset functions are easy to use. For anyone curious about the vast potential of EQ, however, the EQ2 can be a stunning product. And for newbies that want to toy with a single, radical EQ shift in a set or song, the EQ2 might be more powerful and complex than what they need. Many players don't know just how valuable an EQ pedal can be. It's clear, transparent, and extremely low-noise, and the dynamic limiter and noise gate are effective at more extreme EQ settings, too, so you can feel confident about exploring the limits of its tone-shifting capabilities without blowing up speakers or listeners ears. And sometimes the myriad functions can obscure the fact that the EQ2 simply sounds great. The EQ2 is fantastically flexible and has great range. You can route separate EQ profiles to the front of two amps, utilize both EQs in front of and after the pedals in your amp's loop, or as an EQ/solo-boost pedal in the FX loops of two different guitar amps, to boost both simultaneously. Keep in mind that while Source Audio refers to the EQ2 generically as a “stereo EQ," you can also think of it as two independent EQs. The onboard tuner is definitely a bonus, though it's activated via a footswitch-hold maneuver that I might be a little concerned about using mid-gig without accidentally triggering some other function. Impressively, it all fits in a brushed-aluminum box just 4.5" x 2.75". Connection options include dual inputs and outputs, MIDI in and thru, and jacks for the external controller, 9V DC power supply, and USB connectivity. A mini-pot-sized output/boost control doubles as an indicator lamp, lighting up when the unit is engaged. New presets can be saved-and old ones selected-via a small push-button to its left. The encoder knob enables selection and adjustment of individual frequency bands and access to deeper functions. But the Neuro app adds exponentially more flexibility to the pedal once you get comfortable with how it works.ĭon't confuse this thing with your old scratchy-slider EQ pedal-this thing is loaded with creative potential. Most essential functions can be performed with ease right on the unit itself using the encoder knob. But the EQ2 is well designed from an interface perspective, and programming and operation quickly become second nature once you get into it. If you're most comfortable with simple analog interfaces, you'll need to get in a slightly different head space to make the most of the EQ2-and there is a learning curve. Don't confuse this thing with your old scratchy-slider EQ pedal- this thing is loaded with creative potential. There's also an onboard noise gate, a dynamic limiter, and myriad options for connecting and routing the two essentially independent channels of 10-band EQ.
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There's also a parametric EQ mode, four stereo or eight mono onboard presets plus 128 MIDI-accessible presets, a 12 dB boost, external expression pedal and tap switch input for additional parameter control and filtering effects, preset scrolling, and an utterly ridiculous number of extra EQ-shaping options when connected to Source Audio's Neuro editing app for Mac and Windows.įinished? Not quite. But the unit is also super flexible-enabling simultaneous use of two entirely independent frequency curves when used in stereo. Like many Source Audio designs, the audio is super high-quality. The heart of the pedal is 10 fully adjustable frequency bands-ranging from 31 Hz to 16 kHz-that each enable 18 dB of boost or cut. The new version effectively doubles the fun while streamlining the interface, adding stereo inputs and outputs and a wealth of bonus features, including a hidden tuner. Rarely content to sit still, Source Audio has reimagined the Programmable EQ as the EQ2.
But in general it enjoyed a fraction of the recognition enjoyed by the company's excellent reverb, delay, or modulation units. It has high-profile fans in David Gilmour and John Mayer, among others. So it might come as a surprise that the original DSP-driven Source Audio Programmable EQ, released in 2011, is among the company's best-selling products.
Good EQ pedals are very powerful tools, if not the most glamorous.